Kasper Bosmans

Berserk, 2022
Mural: wall paint on wall

Detail of Berserk with Legend paintings
Mural: wall paint on wall and gouache and silverpoint on poplar panel

Legend: Skin (Hercules + Ontcommer), 2016
gouache and silverpoint on poplar panel

Berserk, 2022
Mural: wall paint on wall

Detail of Berserk with Legend paintings
Mural: wall paint on wall and gouache and silverpoint on poplar panel

Detail of Berserk with Legend paintings
Mural: wall paint on wall and gouache and silverpoint on poplar panel

Installation view of Colanders during Husbandry at
Wiels, Brussels (BE)

Colander - Nick & Julia, 2022
Enamelled steel plate

Colander - Anonymous 3, 2022
Enamelled steel plate

Bird Nose Count, 2022
Enamelled steel plates

Legend: American Picket Fence, 2020 and Legend: American Picket Fence and Pink Thread, 2021
gouache and silverpoint on poplar panel

Installation view of Switchboard series during Husbandry at WIELS, Brussels (BE)

Pressed Flowers, 2021
marble and pressed flowers

Pressed Flowers, 2021
marble and pressed flowers

Home is dear, home is best, 2022
Pigment, sand, wooden structure

Home is dear, home is best, 2022
Pigment, sand, wooden structure

Installation view of Boy Butter series during Husbandry at WIELS, Brussels (BE)

Installation view of Boy Butter series during Husbandry at WIELS, Brussels (BE)

Installation view of Boy Butter series during Husbandry at WIELS, Brussels (BE)

Installation view of Boy Butter series during Husbandry at WIELS, Brussels (BE)

Legend: Parlour & J. Zelf, 2021
gouache and silverpoint on poplar panel

Wolf Corridor, 2021-2022
Glass, linen planks with green stripes, bronze, MDF plinth

Wolf Corridor, 2021-2022
Glass, linen planks with green stripes, bronze, MDF plinth

Wolf Corridor, 2021-2022
Glass, linen planks with green stripes, bronze, MDF plinth

Nipples, 2021
light installation

Husbandry

Bosmans (º1990, Lommel, BE) is intrigued by the possibilities offered by diverse techniques and materials and the exhibition contains several new productions, in bronze, enamel, glass and sand. This ambitious and playful exhibition reveals the scope and humour of Bosmans’ original practice.

The exhibition adopts the title Husbandry, a term used to designate care and cultivation, the rearing of animals or growing of crops. At the intersection of nature and culture, husbandry is also the good stewardship of a household and Bosmans’ references are often domestic. He is particularly interested in history “as seen from the kitchen.”

His works take the form of bold murals, installations, sculptures and his signature Legends. These small painted wooden panels fuse formal traditions such as heraldic shields or illuminated manuscripts with an iconography culled from children’s books or digital logos. Avoiding didactic explanation, the Legends offer enigmatic clues to Bosmans’ thought process, while existing as artworks in their own right.